Michael Review
A shallow biopic that captures the spectacle, yet avoids the depth needed to make Michael Jackson’s story resonate.
The Super Mario Galaxy Movie Review
The Super Mario Galaxy Movie is bigger, but not better.
A Magnificent Life Review
Sylvain Chomet’s A Magnificent Life is a beautifully animated but too-reverent portrait of Marcel Pagnol.
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Project Hail Mary [Review]
Jeremy shares his thoughts on Project Hail Mary, the stunning sci-fi adventure that proves big-budget films can still be smart, funny, and genuinely moving. Don't miss this one!
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All You Need Is Kill (2025) [Review]
This is All You Need Is Kill at its most abrasive, but also its most emotionally exposed - Jeremy shares his thoughts on the latest adaptation of Hiroshi Sakurazaka’s classic sci-fi story
28 Years Later: The Bone Temple Review
Nia DaCosta takes over for Danny Boyle on the latest 28 Days sequel.
Anaconda (2025) Review
A movie that’s reminiscent of early 2000s slap-stick comedies and creates some warm, chuckle-worthy nostalgia because of it.
Avatar: Fire and Ash Review
The latest Avatar is the worst of the bunch, a disappointment after the excellent The Way of Water.
Ella McCay Review
Director James L. Brooks returns to the big screen with a bland, saccharine dramedy.
Predator: Badlands Review
The ninth Predator film proves that the franchise is in the right hands with Dan Trachtenberg.
Bugonia Review
Yorgos Lanthimos’ latest collaboration with muse Emma Stone is a bleak sci-fi comedy that feels very of-the-moment.
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Chainsaw Man: The Reze Arc [Review]
Bombastic, bloody, and heartbreakingly human - The Reze Arc is Chainsaw Man at its best.
Black Phone 2 Review
Black Phone 2 improbably brings back Ethan Hawke’s villain, The Grabber, for a second outing.
If I Had Legs I’d Kick You Review
Mary Bronstein’s sophomore feature starring Rose Byrne is a gut-punch about a woman on the edge of a precipice.
The Smashing Machine Review
Benny Safdie's solo directorial debut disappoints after the electrifying work he created alongside brother Josh.
Eleanor the Great Review
Scarlett Johansson’s directorial debut tells a bittersweet story about surviving the loss of loved ones.